Get Yourself High The Golden Path Not Another Drugstore Planet The Duke Otter Rock Morning Lemon Galaxy Bounce Loops Of Fury Delik Elektrobank Live Under The Influence Mix 2 Piku Playground Live Bomb The Bass Ft. Chemical Brothers, the - Galvanize Chemical Brothers, the - Star Guitar Chemical Brothers, the - Block Rockin' Beats Chemical Brothers, the - Close Your Eyes Chemical Brothers, the - Got Glint?
Chemical Brothers, the - Piku Chemical Brothers, the - Saturate Chemical Brothers, the - Surface to Air Leave Home [terror drums] Not Another Drugstore Chemical Beats [dave clarke re Electrobank [full lenght] Leave Home [underworld mix one Don't Stop The Rock [electroni Life Is Sweet [remix 1] Chico's Groove [mix 2] Life Is Sweet [daft punk remix Leave Home [underworld mix two Electro Bank [dust brothers re Prescription Beats Buzz Tracks Life Is Sweet [remix 2] Electrobank [edit] Setting Sun [radio edit] Leave Home [sabres of paradise Chemical Beats Dave Clarke Remix Breaking Up Promo 12 inch Loops Of Fury Promo 12 inch Leave Home Underworld Mix 1 Block Rocking Beats Micronauts Mix Terminal Tower Leave Home CB Remix Block Rocking Beats Micronauts Edit Leave Home Underworld Mix 2 Music Response Futureshock Main Response Loops, It Doesn't Matter Lollipop Festival '96 Elektrobank Lollipop Festival '96 Loops Of Fury Atlanta '97 Piku Playground Atlanta '97 Not Another Drugstore Live '97 Hey Boy Hey Girl Osaka '97 Music: Response Osaka '97 Block Rockin' Beats Lollipop Festival '97 Under The Influence Homelands Festival '99 Flashback Red Rocks Festival '99 Got Glint?
Woodstock '99 The Sunshine Underground Glastonbury Festival '00 Chemical Beats Glastonbury Festival '00 Tomorrow Never Knows Barcelona '02 Song To The Siren Amsterdam '02 It Began in Afrika Hultsfred Festival '02 Hoops Roskilde Festival '02 The Test Rock Werchter Festival '02 Setting Sun Bizarre Festival '02 Acid Children Glastonbury Festival '04 The Golden Path Glastonbury Festival '04 Come Inside Santiago '04 Surface to Air Santiago '04 Hold Tight London Dublin '05 The Big Jump Sunderland '05 Galvanize Pinkpop Festival '05 Get Yourself High Trieste '05 Believe Trieste '05 Life is Sweet Fuji Rock Festival '04 The Sunshine Underground Woodstock '99 Acid Sun Santiago '04 This compilation is made from about 30 bootlegs found on the internet during 5 years.
It regroups all the songs The Chemical Brothers played live those 10 last years, which are to me the most typical of their live music. I hope you enjoy it. All of the forum members and of course, The Chemical Brothers and their music. One Too Many Mornings Dope Coil Her Jazz My Mercury Mouth Dust-Up Beats Leave Home Underworld Mix One Leave Home Underworld Mix Two Leave Home Sabres Of Paradise Life is Sweet Album Version Life is Sweet Remix 2 Life is Sweet Daft Punk Remix Leave Home Terror Drums Life Is Sweet Remix 1 Chico's Groove Mix 2 Setting Sun full length version Setting Sun radio edit Setting Sun instrumental Block Rockin' Beats Radio Edit Elektrobank Full Length Elektrobank Radio Edit Elektrobank Dust Brothers Remix Setting Sun Live Version Flashback Scale Let Forever Be 02, The Diamond Sky 03, Studio K Out of Control Power Move Out of Control Sasha Remix Music Response 02, Freak Of The Week 03, Enjoyed 04, Music Response Gentleman Thief Mix 05, Music Response Futureshock Main Response 06, Got Glint Live From Glastonbury Chemical Brothers, the - Music: Response Chemical Brothers, the - Enjoyed Hot Acid Rhythm 1 Star Guitar Edit Base 6 Morning Lemon Duration: Elektrobank Full Length Not Another Drugstore Elektrobank Radio Edit Elektrobank Dust Brothers Remix Setting Sun Live Version Duration: Scale Duration: Flashback Duration: The Diamond Sky Studio K Duration: Out of Control Power Move Out of Control Sasha Remix Duration: Freak Of The Week Enjoyed Music: Response Gentleman Thief Mix Music: Response Futureshock Main Response Live From Glastonbury Duration: Music: Response Gentlemen Thief Mix Hot Acid Rhythm 1 Duration: Come With Us Edit The Test Edit Star Guitar Edit Star Guitar Pete Heller's Dub Base 6 Duration: Base 6 Get Yourself High Album Version Nude Night Get Yourself High Extended Version Nude Night Duration: Believe Edit Believe Extended Mix Spring Rize Up Duration: Galvanize Extended Version Electronic Battle Weapon 7 Duration: The Boxer edit Swiper Duration: Believe Live at the Milano Forum Duration: Do It Again Extended Mix Clip Kiss No Need Duration: Do It Again Edit The Salmon Dance Edit Electronic Battle Weapon 8 Duration: Midnight Madness Duration: Swoon Radio Edit Duration: Known for their live sets, they are pioneers of the big beat electronic dance genre which achieved mainstream popularity in the s.
History: Background Ed Simons was born in Herne Hill, South London, England, on 9 June to a barrister mother and a father who was not around much when Simons was growing up.
Simons' two main interests when he was young were aeroplanes and musicals. During his school years, Ed developed a fondness for rare groove and Hip hop music, having frequented a club called The Mud Club from the age of By the time he left school, his two main musical interests were two Manchester bands, New Order and The Smiths.
When Rowlands was very young, his family relocated to Henley-on-Thames. He later attended Reading Blue Coat School in Berkshire, during which time he became obsessed with Scotland, developing a fondness for the bagpipes in particular.
In his early teens, his interest in music broadened to other genres. He described the first Public Enemy album as the record that probably changed his life, and commented that Miuzi Weighs a Ton was one of the most amazing tracks he had ever heard.
Rowlands also started collecting hip hop records by artists like Eric B and Schoolly D. Rowlands left school with similar accomplishments to Simons', achieving 9 O levels and 3 A levels. Rowlands was also in a band called Ariel prior to meeting up with Simons. Ariel was formed in London by Rowlands and his friends Brendan and Matt before they all moved up to Manchester. Their first single was "Sea of Beats". After a year on Echo Logik they signed to the record label, deConstruction, they insisted that they get a female singer and they recruited former Xpansions frontwoman Sally Ann Marsh, and after some disappointing songs like "Let It Slide" Rowlands would later describe it as "a stinker" the band fell apart.
One of the last things Ariel did was the song "T Baby" which was remixed by the pair. Rowlands and Simons then started to DJ at a club called "Naked Under Leather", in the back of a pub, in under the alias of "The Turbo Nutters" named after the number of their house on Dickenson Road in Manchester and a reference to their Blackburn raving days.
The pair would play hip hop, techno and house. After a while, they began to run out of suitable instrumental hip hop tracks to use, so they started to make their own. In October , they pressed white-label copies and took them to various dance record shops around London, but none would play it, saying that it was too slow The track played at BPM. Weatherall also signed the band to his Junior Boy's Own label.
The duo completed Universities with good results, each obtaining upper-second class degrees. Around June , the Dust Brothers did their first remixes. It contained the ground-breaking "Chemical Beats", which epitomized the duo's genre-defining big beat sound, later taken up by Fatboy Slim and many more.
Early in , The Dust Brothers were approached in the club one Sunday by Noel Gallagher, from Oasis, who at the time were becoming one of the most prominent guitar bands in Britain. Gallagher told the duo that he had a Balearic inspired track which he had written, which he would like the Dust Brothers to remix.
However, over time, Gallagher changed his mind, and in the end the Brothers did not remix it. The track was "Wonderwall". In March , The Dust Brothers began their first international tour, which included the United States — where they played with Orbital and Underworld — then a series of European festivals.
Also around this time, the original Dust Brothers threatened legal action over the use of their name, and so Rowlands and Simons had to decide on a new name quickly. In June , they released their fourth single, the first under their new identity. It stayed at number 17 for 8 weeks, the most weeks a record has stayed at the same place in the charts apart from Number 1's.
It eventually went on to sell over a million copies worldwide, and was used on the soundtrack of the science fiction TV series pilot Virtuality. Shortly after its release, The Chemical Brothers signed to Virgin Records, to which they took their own offshoot label, Freestyle Dust.
For their next single, in September , they again used a guest vocalist, for the release of "Life Is Sweet", featuring their friend Tim Burgess, singer with The Charlatans.
It reached 25 in the singles charts. The gig began to backfire when it became apparent that Liam Gallagher didn't seem to like any of the tracks they were spinning. Gallagher proceeded to kick the Chemical Brothers off the turntables and procured a friend from The Verve to continue to DJ.
He subsequently favoured psychedelic material to the displeasure of the crowd. After beginning work on a remix which they viewed as having potential, the Stone Roses changed their minds and the project was cancelled. They then became residents at the Heavenly Social on Saturdays at Turnmills.
During the encore, however, Keith Flint from The Prodigy jumped up on stage to dance, wearing a t-shirt sporting the slogan "Occupation: mad bastard". A few from the crowd subsequently joined in. This resulted in a power cable being kicked loose, bringing the show to a temporary close. The Chemical Brothers confessed to not being too bothered; "because he's Keith from the Prodigy, and he can do whatever the fucking hell he likes" Rowlands said later.
Just before Christmas, , they played their biggest gig to date, with The Prodigy, at the Brixton Academy. In January , Exit Planet Dust went gold. The four-track release was limited to 20, copies, but is now available for digital download. It entered the UK charts at NME described the lead track as "splashing waves of synths across hard-hitting beats".
In February , Select Magazine published a list of the best albums of the s thus far. Exit Planet Dust was listed at Number In August , The Chemical Brothers supported Oasis at Knebworth, where , people attended each of the two shows. Gallagher told them how much he liked Exit Planet Dust, and asked if he could sing on a future track, similar to the way Tim Burgess had worked on "Life Is Sweet". They didn't think much of the offer at the time, given how busy Gallagher would be with the release of Oasis' What's the Story Morning Glory?
However, the duo later worked on a track which they thought would benefit from having a vocal on it. They sent Gallagher a tape of what they had done so far. He worked on it overnight, and left a message with them early the next morning that he was ready to record it. The track was called "Setting Sun" and was finally released in October It entered the UK charts at the top, giving the duo their first ever Number One single.
The three remaining Beatles' lawyers later wrote to the Chemical Brothers, mistakenly claiming that they had sampled "Tomorrow Never Knows". Virgin Records hired a musicologist to prove that they did not sample the classic s psychedelic song. It was also the duo's first live album, and their only live album excluding the EP Live Dig Your Own Hole In March , the Brothers released the second track from their forthcoming album, to give the world a further taste of what to expect.
In the US at this time, "Setting Sun" was sitting at Number 80 in the Billboard Top , after selling around 80, copies, an uncommon achievement for a European "dance" act. Sales from Exit Planet Dust were also around , It was recorded at the band's own south London studio, with the title taken from graffiti on the wall outside.
During the summer of , the Brothers toured extensively, particularly in the States. They also became residents at Tokyo's Liquid Rooms.
They themselves also became highly sought-after for remixes for other artists. Metallica asked the Brothers several times to remix "Enter Sandman", but were repeatedly turned down. They also began a US tour in Detroit. The b-side consisted of a live version of "Setting Sun", recorded at the Lowlands Festival, Netherlands on August 24, Both a vocal remix and an instrumental remix were included in the single release. Each came in at over seven-and-a-half minutes. Also that month, they released their first new original material in two years, a track called "Hey Boy, Hey Girl".
This was more house influenced than hip-hop. In interviews at the time, Rowlands and Simons indicated that the track was inspired by nights out at Sheffield club "Gatecrasher".
The track was also one of their more commercially accessible tracks and went to number 3 in the UK charts. Surrender The third album Surrender was released in June As "Hey Boy, Hey Girl" had suggested, the album was more house-oriented than the previous two. It reached Number 1 in the UK album charts, and was widely praised in the print media. The Michel Gondry-directed music video for "Let Forever Be", which utilized ground-breaking video and film effects in its depiction of a young woman's nightmares, also received a lot of attention.
The release also contained the Sasha remix. The final single from Surrender, in February , was the five track "Music: Response" EP, containing the title track and two remixes, plus Electronic Battle Weapon 4 named "Freak of the Week", and a track called "Enjoyed", which was essentially a remix of "Out Of Control" by the Brothers themselves.
Come with Us In June , Tom and Ed played the Pyramid stage at the Glastonbury Festival pulling in the largest audience ever seen in the Festival's history.
In August they played to a large crowd at the main stage at Creamfields festival, Ireland. In , they were quite active with releases and live performances. Early in the year, they began working on a fourth album, provisionally titled "Chemical Four". Another new track also got its public debut at Coachella, "Galaxy Bounce". As had become customary for their releases and experiments, "It Began In Afrika" was first pressed as a promo, as part of the "Electronic Battle Weapon" series.
It received much airplay on dance music radio shows in the UK, and became more and more popular in clubs over the course of the summer.
It also became one of the "anthems" in Ibiza as the summer progressed. It was given a full commercial single release in September, reaching 8 in the UK singles chart, even though no promotional video was made for the track. The album was released in January , preceded by a single, "Star Guitar", a melodic, Balearic Beat number, with a promotional video by Michel Gondry that featured passing scenery synchronized to the beat viewed through a train window.
What would be the second track on the album, "It Began in Afrika", was released September 10, to be circulated around the clubbing scene where it was a popular hit. The album, Come with Us, was less well received than their previous albums, but nonetheless went straight in at 1 in the UK album charts in the first week of its release, selling , copies.
In April, the title track from the album was released as a single with remixes by Fatboy Slim as part of a double-A sided release with "The Test". During the summer of , The Chemical Brothers traveled the festival circuit to promote the album. Both contained remixes, live versions and B-sides. One of their other major songs from this album was "Galaxy Bounce", which was popular and featured as the main title music for the Xbox game Project Gotham Racing, it was also included on the soundtrack for the movie adaptation of Tomb Raider.
Both songs are instrumental. Late and early , saw Rowlands and Simons back in the studio, working on new material, including "The Golden Path", a collaboration with Wayne Coyne, the lead singer of The Flaming Lips.
This was released in September , at the same time as a "best of" album, entitled Singles marking ten years of The Chemical Brothers' releases. Singles included most, but not all, of their singles. Singles was also released on DVD, whose extra features included selected live performances and interviews with Rowlands, Simons and many of their collaborators from throughout the period.
In late and , The Chemical Brothers continued to work in the studio, on new material and a remix of "Slow" by Kylie Minogue. After being released on rare white label vinyl, it was subsequently given a commercial release in March on CD on her next single "Red Blooded Woman" and on exclusive 12" vinyl picture disc containing two other Kylie remixes. In Summer they returned to the festival circuit, including appearances at the Glastonbury Festival, Tokyo, Scotland and Ireland.
They also visited South America for the second time being the first time in , arriving at Chile, Argentina and Brazil. It was during these sets that they played new material, including "Acid Children", which proved to be one of the most popular new tracks.
A marked departure from the Chemical Brothers' previous musical endeavours, it featured a screeching bassline and a distinctive vocal sample; a pitch-altered vocal sample proclaiming "You Are All My Children Now!
It was coupled with the projection of a sinister clown mouthing these same words at their live gigs. The Electronic Battle Weapon series of promo releases have typically been newly recorded Chemical Brothers tracks, released on promo to allow DJs to test them in a club environment, and to gauge their popularity. The album was released on January 24, The single was released on January 17, , and entered the UK chart at 3. The second single "Believe" featuring Kele Okereke from Bloc Party failed to crack top 10, but still made it into the top 20, peaking at The album and single "Galvanize" won a Grammy in the Grammy Awards of An unofficial, remixed version of the album entitled "Flip the Switch" was released as a free download, along with the "Believe EP", six further remixes of "Believe".
In September , the Chemical Brothers were revealed as the first musicians to be involved in Tate Tracks. Tate Modern invited various groups and songwriters to choose a work that inspired them from the gallery's collection of modern art and then write a track about it. From October , it also became available to hear online at the Tate Tracks website. We Are the Night The Chemicals welcomed June with an announcement on their official forum stating that the duo had been working on fresh material, specifically an album, codenamed 'Chemical 6'.
Simons also told everyone that the band would be playing select venues in the Summer season, specifying Rome, and also fabric in London. Simons is also quoted as saying that the duo are 'hoping to put a battle weapon out for the summer,', retrieved possibly referring to the 'Electronic Battle Weapon' series, which are somewhat experimental tracks the band occasionally release on white label.
The vinyl had a limited edition release worldwide and has been received well by fans, DJs and critics alike. Electronic Battle Weapon 8 at about six and a half minutes is very distinct from the 'big acid' style that the earlier battle weapons adhered to.
It is characterised by 'thundering dirty drums' with a rising synth line, and to many it is perceived as being one of the most euphoric tracks that the Chemicals have released. Electronic Battle Weapon 9 is typical Chemicals dancefloor track with their trademark vocoder vocals coupled with sirens and a basic 'tribal' melody. At the same Turnmills gig, the Brothers also played a previously unreleased song at midnight to welcome which went down well with the crowd.
Many are left wondering if the latest in the Electronic Battle Weapon series were simply one off genius pieces or signal a new direction they could take with the new album, perhaps swaying from their genre defining 'big beat' psychedelic albums of the past. The song was also the band's th released song. The Chemicals cited a delay in the production of artwork for this delay.
The track listing was released to the fans on the official mailing list on April On April 12, , Pete Tong again had the privilege of giving the world the very first preview of a Chemicals track.
The track is widely regarded as dance floor friendly, dominated by pop vocals and a minimalistic production approach. The track is regarded as a 'grower' after gaining mixed reviews after the first listen on Pete Tong's show, with its simplistic catchy vocals and electro beat. The official release of the single was June 4 digital download and June 14 12", 7" and CD.
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