I mean this guy gave Christine what every hot blooded woman wants: Total and obedient worship. Am I right girls? Anyway to all you naysayers, I say this movie would have been nothing without him.
To tell you the truth I kept wondering, 'Who is this guy, where did he come from? So I did what the rest of you do and looked him up on 'imdb. Since then I've seen his other film roles, to be honest the films weren't that great, but that's not his fault. You've got to take what you're offered. So I just have to note another of his astonishing talents: I swear he changes with every role. His voice and his face, even his body molds to whatever character he's playing.
I cannot believe that he is not up for Best Actor, or that this film is not up for at least ten Oscars. Incidentally, I shall be boycotting them this year, and I urge you to do the same. Compared to this film, the rest is just drivel. Anyway, Mr. Butler is an amazing actor. I'm so glad Mr. Schumacher had the tremendous insight to cast him.
I hope now he will get the roles he so richly deserves. I'd pay admission to watch that man walk across the street. I can't believe he'd never had a voice lesson before. I hope he does more recording. I still can't get those songs out of my head, got the CD and still can't stop playing it.
The project is done in anime-style, and the story is based on the famous play Phantom of the Opera. The action takes place at the Paris Opera House. An incredibly dramatic love story awaits the characters. The Gothic poem was written back in The game directly continues the story of the same name. Many years after the events of the original, a detective arrives in Paris. He longs to solve the mystery of this ghost.
An incredible Adventure awaits the hero who enters the Opera House, and a frightening truth lurks within the walls of this ancient building. Gameplay is based on exploration, reading notes and memos, and exploring the characters of various characters. The setting of The Phantom of the Opera came from an actual Paris opera house that Leroux had heard the rumors about from the time the opera house was finished. The details about the Palais Garnier, and rumors surrounding it, are closely linked in Leroux's writing.
The underground lake that he wrote about is accurate to this opera house, and it is still used for training firefighters to practice swimming in the dark. The event that was the infamous chandelier crash also rang to be true.
The Phantom of the Opera' s origins came from Leroux's curiosity with the Phantom being real. In the prologue he tells the readers about the Phantom and the research that he did to prove the truth of the ghost.
His findings connected the corpse from the opera house to the Persian phantom himself. In Paris in the s, the Palais Garnier opera house is believed to be haunted by an entity known as the Phantom of the Opera, or simply the Opera Ghost. A stagehand named Joseph Buquet is found hanged and the rope around his neck goes missing. The Vicomte Raoul de Chagny, who was present at the performance, recognizes her as his childhood playmate and recalls his love for her.
He attempts to visit her backstage, where he hears a man complimenting her from inside her dressing room. He investigates the room once Christine leaves, only to find it empty. At Perros-Guirec, Christine meets with Raoul, who confronts her about the voice he heard in her room. Christine tells him she has been tutored by the Angel of Music, whom her father used to tell them about.
When Raoul suggests that she might be the victim of a prank, she storms off. Christine visits her father's grave one night, where a mysterious figure appears and plays the violin for her.
Raoul attempts to confront it but is attacked and knocked out in the process. Back at the Palais Garnier, the new managers receive a letter from the Phantom demanding that they allow Christine to perform the lead role of Marguerite in Faust , and that box 5 be left empty for his use, lest they perform in a house with a curse on it. The managers ignore his demands as a prank, resulting in disastrous consequences: Carlotta based on the late singer Madmoiselle Carvalho [9] ends up croaking like a toad, and the chandelier suddenly drops into the audience, killing a spectator.
The Phantom, having abducted Christine from her dressing room, reveals himself as a deformed man called Erik. Erik intends to hold her prisoner in his lair with him for a few days, but she causes him to change his plans when she unmasks him and, to the horror of both, beholds his noseless, lipless, sunken-eyed face, which resembles a skull dried up by the centuries, covered in yellowed dead flesh.
Fearing that she will leave him, he decides to kidnap her permanently, but when Christine requests release after two weeks, he agrees on the condition that she wear his ring and be faithful to him. On the roof of the opera house, Christine tells Raoul about her abduction and makes Raoul promise to take her away to a place where Erik can never find her, even if she resists. Raoul tells Christine he will act on his promise the next day, to which she agrees.
However, Christine sympathizes with Erik and decides to sing for him one last time as a means of saying goodbye. Unbeknownst to Christine and Raoul, Erik has been watching them and overheard their whole conversation. The following night, the enraged and jealous Erik abducts Christine during a production of Faust and tries to force her to marry him. Raoul is led by a mysterious opera regular known as 'The Persian' into Erik's secret lair deep in the bowels of the opera house, but they end up trapped in a mirrored room by Erik, who threatens that unless Christine agrees to marry him, he will kill them and everyone in the Opera House by using explosives.
Christine agrees to marry Erik.
0コメント